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US Mall 1 - Caprice - Alison Balsom

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List Price: $16.98
Our Price: $9.45
Your Save: $ 7.53 ( 44% )
Availability: Usually ships in 24 hours
Manufacturer: EMI Classics
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Average Customer Rating:     

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Binding: Audio CD EAN: 0094635325522 Label: EMI Classics Manufacturer: EMI Classics Number Of Discs: 1 Publisher: EMI Classics Release Date: 2006-10-03 Studio: EMI Classics
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Spotlight customer reviews:
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Customer Rating:      Summary: Amazing ! Comment: Alison is probably World's current best trumpet soloist. She makes me shiver just as Maurice André did when I went to one of his concerts, almost 40 years ago.
Good girl, Alison, wonderful soloist, I love your music.
Customer Rating:      Summary: my favorite cd Comment: I'd like to encourage anyone to try this cd, it's my favorite cd that I've owned. I like many genres of music, especially classical with its wide range of "musical colors" without words getting in the way. Classical is truly the most widely expressive in my opinion. This cd by Alison Balsom is most incredible to me each time I play it. Words aren't enough to describe it, you have to experience it. If I had to pick one word, it would be "sublime!"
Customer Rating:      Summary: Excellent trumpet music Comment: She did a good job, but I do not know much about classical music. Saw this on youtube, heard it, I liked it. So I bought it.
Customer Rating:      Summary: Dazzling! Comment: Titling a collection of works CAPRICE ('a disposition to do things impulsively') is entirely in keeping with the magnetism and flair of the talented, beautiful, and intensely musical trumpeter Alison Balsom. For this listener the introduction to Miss Balsom was a recent Los Angeles Philharmonic performance of contemporary works, the one being played by Miss Balsom was the exceedingly beautiful and treacherously difficult Bernd Alois Zimmermann 'Concerto for Trumpet and Orchestra: Nobody knows the trouble I see'. Witnessing the live performance of this gifted lass resulted in the immediate purchase of her recordings.
CAPRICE is a terrific collection of works arranged for trumpet and while such collections don't appeal on every level, for this recording Balsom makes it work. She is equally at home with Bach (of course), Mozart, and Paganini as she is with Debussy, Rachmaninov, de Falla, the infectious Piazzolla, Lindberg, and Tomasi. It is a varied recital, ably assisted by Edward Gardner conducting the Gothenburg Symphony Orchestra, and while not every 'transcription' feels right, the performances ring with an authenticity because of Balsom's assured technique.
With the technical skill Balsom possesses and the flair for interaction with not only the orchestra but also with the audience it seems obvious that she is secure on the ladder of success. She is an intelligent musician and a dazzling spirit! Grady Harp, January 08
Customer Rating:      Summary: Beyond the Baroque Comment: Fans of the classical trumpet will find a large repertoire from the Baroque era and a few major concertos from the Classical period (Haydn, Hummel), but very little written for trumpet from the Romantic period and thereafter. To remedy this problem, virtuoso trumpeters of the past, such as Jean-Baptiste Arban and Rafael Mendez, transcribed pieces not originally written for the trumpet. On this CD, Alison Balsom follows in this time-honored tradition, making available transcriptions that supplement the regular trumpet repertoire. Only one selection comes from the Baroque period, not one that was originally written for trumpet, but a transcription of the second movement of Bach's first Violin Concerto. Mozart provides two selections from the Classical period, but most of the selections come from the Romantic era (Paganini, Bellini, Debussy, Rachmaninov, de Falla, Lindberg) or the 20th century (Tomasi, Piazzolla). Any trumpet fan who has wished to hear something a little more modern than a Baroque trumpet concerto will be grateful for this CD.
Only one of these selections, the second movement of Tomasi's trumpet concerto, was originally written for trumpet. The rest are transcriptions made by either Julian Milone or Balsom herself. All are well done.
Balsom gives a highly satisfying and enjoyable performance of these selections. She is a virtuoso trumpeter of the highest caliber. Her technique, tone, and musicality leave nothing to be desired. For most of the selections, she plays a C trumpet, though for two pieces she uses an E flat trumpet and for two others a piccolo trumpet. The Gothenburg Symphony Orchestra provides admirable support.
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Editorial Reviews:
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Customer Rating:      Summary: Amazing ! Comment: Alison is probably World's current best trumpet soloist. She makes me shiver just as Maurice André did when I went to one of his concerts, almost 40 years ago.
Good girl, Alison, wonderful soloist, I love your music.
Customer Rating:      Summary: my favorite cd Comment: I'd like to encourage anyone to try this cd, it's my favorite cd that I've owned. I like many genres of music, especially classical with its wide range of "musical colors" without words getting in the way. Classical is truly the most widely expressive in my opinion. This cd by Alison Balsom is most incredible to me each time I play it. Words aren't enough to describe it, you have to experience it. If I had to pick one word, it would be "sublime!"
Customer Rating:      Summary: Excellent trumpet music Comment: She did a good job, but I do not know much about classical music. Saw this on youtube, heard it, I liked it. So I bought it.
Customer Rating:      Summary: Dazzling! Comment: Titling a collection of works CAPRICE ('a disposition to do things impulsively') is entirely in keeping with the magnetism and flair of the talented, beautiful, and intensely musical trumpeter Alison Balsom. For this listener the introduction to Miss Balsom was a recent Los Angeles Philharmonic performance of contemporary works, the one being played by Miss Balsom was the exceedingly beautiful and treacherously difficult Bernd Alois Zimmermann 'Concerto for Trumpet and Orchestra: Nobody knows the trouble I see'. Witnessing the live performance of this gifted lass resulted in the immediate purchase of her recordings.
CAPRICE is a terrific collection of works arranged for trumpet and while such collections don't appeal on every level, for this recording Balsom makes it work. She is equally at home with Bach (of course), Mozart, and Paganini as she is with Debussy, Rachmaninov, de Falla, the infectious Piazzolla, Lindberg, and Tomasi. It is a varied recital, ably assisted by Edward Gardner conducting the Gothenburg Symphony Orchestra, and while not every 'transcription' feels right, the performances ring with an authenticity because of Balsom's assured technique.
With the technical skill Balsom possesses and the flair for interaction with not only the orchestra but also with the audience it seems obvious that she is secure on the ladder of success. She is an intelligent musician and a dazzling spirit! Grady Harp, January 08
Customer Rating:      Summary: Beyond the Baroque Comment: Fans of the classical trumpet will find a large repertoire from the Baroque era and a few major concertos from the Classical period (Haydn, Hummel), but very little written for trumpet from the Romantic period and thereafter. To remedy this problem, virtuoso trumpeters of the past, such as Jean-Baptiste Arban and Rafael Mendez, transcribed pieces not originally written for the trumpet. On this CD, Alison Balsom follows in this time-honored tradition, making available transcriptions that supplement the regular trumpet repertoire. Only one selection comes from the Baroque period, not one that was originally written for trumpet, but a transcription of the second movement of Bach's first Violin Concerto. Mozart provides two selections from the Classical period, but most of the selections come from the Romantic era (Paganini, Bellini, Debussy, Rachmaninov, de Falla, Lindberg) or the 20th century (Tomasi, Piazzolla). Any trumpet fan who has wished to hear something a little more modern than a Baroque trumpet concerto will be grateful for this CD.
Only one of these selections, the second movement of Tomasi's trumpet concerto, was originally written for trumpet. The rest are transcriptions made by either Julian Milone or Balsom herself. All are well done.
Balsom gives a highly satisfying and enjoyable performance of these selections. She is a virtuoso trumpeter of the highest caliber. Her technique, tone, and musicality leave nothing to be desired. For most of the selections, she plays a C trumpet, though for two pieces she uses an E flat trumpet and for two others a piccolo trumpet. The Gothenburg Symphony Orchestra provides admirable support.
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